Want to buy a best camera for archival work? You might be wondering which camera on the market today is the best. With so many great cameras for archival work out there, it is hard to pick a winner.
Buying a best camera for archival work is not that easy. We explain to you what to look out for when buying a camera for archival work. Regardless of whether you are a beginner or already advanced: In this article we will show you which camera for archival work is right for you.
While most cameras are good for archival work, some are going to be better than others based on such metrics as total megapixels, dynamic range, in-camera features, and lens selection.
All of these are cameras that have been extensively tested by ourselves, so if you want to know more about any of them, as well as check sample images, just click on the link for the full review.
Along the way, we’ll explain some of the jargon and differences between the cameras, but if you need more help deciding what type of best camera for archival work you need, you can get a lot more information in our special step-by-step guide: Which camera for archival work should I buy?
Let’s take a closer look at the best cameras for archival work we picked from different manufacturers. The below list is sorted by our order of preference, although every camera we present is more than capable of yielding exceptional images.
Top 10 Best Cameras For archival work To Buy
1. Sony Alpha A7 III – Cheap Camera For archival work
A full-frame camera basic level of Sony is a brilliant purchase
Type: Mirrorless (without mirror) | Sensor size: full frame CMOS | Resolution: 24.2 MP | Lens: Sony E mount | Display: EVF | Screen type: Tiltable 3.0 inch touch screen, 1440,000 dots | Maximum continuous shooting speed: 10 fps | Movies: 4K | User level: Intermediate / expert
The growing range of full-frame Mirrorless cameras from Sony offers an excellent alternative to DSLR from Canon and Nikon . The Mirrorless Camera Sony Alpha A7 III may be the full-frame camera basic level in the range mirrorless the Sony , but offers an impressive mix of features and performance that makes it a best camera for archival work . The 24.2MP full-frame sensor is excellent, while the advanced AF 693-point (borrowed from the flagship Sony Alpha A9 camera)) and 10 fps burst shooting means you’ll never miss another shot. For the price, there is nothing that can touch it.
2. Canon EOS 80D – Budget Camera For archival work
This mid-range wonder is a great option for shooting and watching live video
Type: DSLR | Sensor: APS-C | Megapixels: 24.2 MP | Lens mount: Canon EF-S | LCD: 3.2 inch vari-angle tactile LCD, 1,040,000 dots | Optical viewfinder | Continuous shooting speed: 7fps | Maximum video resolution: Full HD | User level: Enthusiast
The Canon overhauled its entire line DSLR last year, but it is the Canon EOS 80D that stands out these latest arrivals. Following so many successful models on Canon’s stable double-digit EOS is clearly a result of the small changes the company made to the now familiar model, while the feature set has a new 24MP APS-C sensor , the excellent Dual Pixel Canon . CMOS AF system , 7fps shots and built in Wi-Fi and NFCamong its highlights. As we noted in our complete camera review, image quality is a strong point, with accurate colors, well-controlled noise levels and impressive dynamic range, especially at lower sensitivities. Like the Nikon D7500 mentioned above, its specifications, price and affordability mean that it has great appeal.
3. Nikon D850 – Good Camera For archival work
High resolution meets high speed
Type: DSLR | Sensor size: full frame CMOS | Resolution: 45.4MP | Lens: Nikon F mount | Optical viewfinder | Screen type: 3.2 inch tilting touchscreen, 2,359,000 dots | Maximum continuous shooting speed: 7fps | Movies: 4K | User level: Intermediate / expert
It can be expensive, but if you are looking for the best camera for archival work that money can buy right now, so the fabulous DSLR D850 from Nikon practically mark each box. Packed in a bright 45.4MP full-frame sensor, the image quality is impressive. But that is only half the story.
4. Canon EOS 5D Mark III – Affordable Camera For archival work
Despite the arrival of the EOS 5D Mark IV , this previous iteration is still a full-frame gem – and now excellent value for money
Type: DSLR | Sensor: Full frame | Megapixels: 22.3 MP | Lens mount: Canon EF | Screen: 3.2 inch screen, 1,040,000 points | Optical viewfinder | Continuous shooting speed: 6fps | Maximum video resolution: 1080p | User level: Professional
With the EOS 6D Mark II slightly below expectations and Canon Camera EOS 5D Mark IV still prohibitively expensive, is the EOS 5D Mark III that gets our vote line EOS full-frame from Canon . Of course, 4K video is missing and it doesn’t have the latest DIGIC processing engine, but the combination of its 22.3MP full-frame sensor , 61-point AF system , 6fps shooting rate and a sealed body still has a capable core. Raw in-camera processing, microphone and headphone ports and two card slots complete the camera spec sheet, and with decades of native glass to choose from, you should have no trouble expanding your backpack.
5. Sony Alpha A6500 – Recommended Camera For archival work
Type: Mirrorless | Sensor size: APS-C | Resolution: 24.2 MP | Lens: Sony E mount | Monitor: 3-inch tilting touchscreen, 921k dots | Display: EVF | Maximum continuous shooting speed: 11fps | Movies: 4K | User level: Intermediate
The previous APS-C- based Alpha A6300 was a huge success among enthusiastic users, and the Alpha A6500 builds on its success in many ways. The camera records 6K images that are scaled down to 4K for the benefit of quality and uses the efficient XAVC S codec which has a 100Mbps rate . This is accompanied by Log gamma modes, 120fps HD recording (also at 100Mbps) and enhanced zebra patterns to keep an eye on the exposure. You also benefit from a 425 phase detection point focus system for fast focus and an LED display2.36 million points, along with 11fps shooting at full resolution, all within a dust and moisture resistant body. Not to mention the welcome addition of Sony’s 5-axis image stabilization system . Now that the price has started to fall, it would also be a good choice as an upgrade over previous Sony models based on APS-C.
6. Nikon D3400 – Top Rated Camera For archival work
It is not the most expensive basic DSLR , but we think it is the best
Type: DSLR | Sensor: APS-C CMOS | Resolution: 24.2 MP | Lens: Nikon F (DX) mount | Optical viewfinder | Screen type: 3.0 inch screen, 921,000 dots | Maximum continuous shooting speed: 5fps | Movies: 1080p | User level: beginner
The D3400 from Nikon is based on bright D3300 and is our top choice best camera for archival work when it comes to DSLRs entry level. Sharing virtually the same design and specification as its predecessor, the D3400 adds Nikon’s Bluetooth SnapBridge connectivity to transfer images directly to your smart device for easy image sharing. The 24.2 MP sensor resolves detail pockets, while the Nikon D3400it is also a very easy camera to live with. Its smart Guide Mode is a useful learning tool that provides real-time explanations of important resources. There is no touch screen, but on the other hand, this is our favorite entry-level DSLR at the moment.
7. Canon EOS Rebel T7i – Best Camera For archival work
The best DSLR in the entry- level Canon also offers power and performance
Type: DSLR | Sensor: APS-C CMOS | Resolution: 24.2 MP | Lens: Canon EF-S | Optical viewfinder | Monitor: Retractable 3.0-inch vari-angle LCR, 1,040,000 points | Maximum continuous shooting speed: 6fps | Movies: 1080p | User level: beginner
One of the best entry-level DSLRs , the EOS Rebel T7i (known as the EOS 800D abroad) is an upgrade to the EOS Rebel T6i . The resolution remains the same, but it is a new design with improved high ISO performance. The autofocus also drives the older model, now with a 45-point array that is supported by an excellent AF Live View system that is as fast as its Mirrorless rivals , while the newly designed graphical interface will certainly make this camera even more attractive to new ones. Commercial. The lack of 4K video and the quality of the exterior materials disappoint, but despite this the EOS Rebel T7i is a great entry into the world of DSLR photography .
Winning the fight for Canon and Nikon
Sensor size: Full-frame | Resolution: 24.2 MP | Display: EVF | Monitor: 3.0 inch tilt angle touch screen, 1,440,000 dots | Maximum continuous shooting rate: 20fps | Movies: 4K | User level: expert
The Sony Alpha A9 does not fail to impress. The AF system that Sony has blessed with its main camera is not only incredibly fast, but you also have to believe in tracking performance. Partner with an incredibly fast 20fps capture and a large, bright EVF that won’t go off when shooting, and you’ll have a camera that can combine it with the best that Canon and Nikon have to offer when it comes to shooting.
You won’t have much of a four-digit change, but there’s no doubt about its capabilities
Type: compact | Sensor size: 1 inch CMOS | Resolution: 20.1MP | Lens: 24-70 mm f / 1.8-2.8 | Monitor: 3-inch tilt, 1.23 million points | Display: EVF | Maximum continuous shooting speed: 24fps | Movies: 4K | User level: Intermediate
Sony has enjoyed great success with its RX100 line , and its latest RX100 V continues where the Mark IV left off . Many of its video specifications are shared with the Sony RX10 III , with images recorded at 1.7 times the required amount and, subsequently, reducing the sampling to 4K. You can record at up to 30 fps and enjoy the continuous control ring around the lens, while support functions include an S-Log2 gamma profile, peak of focus, zebra patterns and slow motion recording. Of course, in such a small camera, you don’t get ports for microphones or headphones, although the lack of a touchscreen can make people more uncomfortable. Still, you get Sony’s excellent hybrid AF system to focus on. Add a built-in ND filter , high-quality EVF , a tilting screen and a super-fast 24fps continuous shooting mode with autofocus and auto exposure maintained everywhere, and it’s amazing that something so powerful can still slip inside your pocket. The price is significant, but if it’s beyond your budget, there’s still the Sony RX100 IV , which can offer 4K footage and a lot of technology shared at a sharper price.
Type: action camera | Sensor: 1 / 2.3 inch CMOS | Resolution: 12MP | Lens: f / 2.8 wide angle lens | Screen type: 2 inch touch screen | Display: N / A | Movies: 4K | User level: beginner / intermediate
The GoPro Hero6 Black is the best camera for archival work you can buy. It is expensive compared to some of the competitors, but it has a wide range of features, including 4K footage at up to 60fps, as well as super-slow motion 1080p video at 240fps. The improved image stabilization system works well, in addition to images that offer a wider dynamic range and better low-light performance compared to the GoPro Hero 5 . This is not to forget that it is waterproof up to 10m, it has a useful 2 inch touchscreen, while the updated application with Quick Stories automatically transfers and edits your images for you. If you want a best camera for archival work, it won’t go wrong with theHero6 Black .
Buying Guide – Best camera for archival work
I hope you haven’t smoked your head after reading through all of our camera recommendations. Of course, we can only present a fraction of the cameras available on the market in our camera purchase advice.
If you also want to get an idea for yourself, we would like to introduce you to the most important purchase criteria that you should consider when making your choice. Since a camera usually accompanies you for several years, the decision is not that easy.
If you know what is really important, it can be a little easier.
Are megapixels important?
For a long time, megapixels were the ultimate in camera purchases. The more the better. This is actually complete nonsense.
You need high megapixel numbers when you take photos that will later hang on large billboards or be sold in galleries.
For the average amateur photographer, 6 megapixels are usually enough, which all cameras presented here easily exceed.
An average HD screen shows images with a resolution of 1920 × 1080 pixels, which corresponds to around 2.5 megapixels.
You can also easily print a 6 megapixel photo up to a size of DIN A4 and you will not notice any quality disadvantages.
Another thing you should always keep in mind when hunting for as many megapixels as possible is the size of the image files: the more megapixels, the more storage space your photos consume.
Good image quality in low light
Almost all cameras take good photos in good lighting conditions. The differences often only become apparent in extreme situations, for example in the dark. When buying a camera, it is therefore important to ensure that even at a high ISO value of 1,600 or 3,200, usable images are produced that have little or no image noise.
The lens also plays a major role here. If you have a fast lens, you can still take good photos even in poor lighting conditions. You can tell how good your lens is by the maximum aperture opening, for example. B. is indicated with f / 3.5. The smaller the number behind the f, the brighter your lens is.
F / 3.5 is a very common light level. From f / 2.8 and below you have a really very fast lens.
Choice of lenses
An important point in the purchase decision is the selection of available lenses for the camera. If you choose a Nikon or Canon SLR camera, you will later have a huge number of lenses that you can buy with it. The manufacturers themselves offer numerous lenses, and there is also a wide range from third-party manufacturers.
However, if you are considering buying a less popular model, do some research on your lens choices beforehand. That doesn’t have to be an exclusion criterion, you should just think about it beforehand.
When you buy your first camera, you don’t have to deal with this topic. The cameras for beginners and advanced users usually have smaller sensors. For the average photographer this is not a problem at all and does not have any disadvantages in terms of image quality.
But if you are perhaps buying your third or fourth camera, have a lot of experience and want to venture into new spheres, you can think about a camera with a full-frame sensor.
Full format sensors offer even better image quality, which is particularly important for very large prints. The strengths of a full format sensor are particularly evident in low light, as you simply get better photos .
However, full-frame cameras are very expensive, and are larger and heavier. So the decision should be carefully considered.
Zoom or focal length
The focal length of your lens determines how close you can depict distant subjects or which image section you can capture on your photo.
The decision is especially important when buying a lens. There are lenses with a very large zoom range, such as the Tamron 16-300 mm that is available for Nikon, Canon and Sony. So you are prepared for all situations. We have just tested this lens extensively.
But there are also lenses with a fixed focal length. Even if that sounds like a limitation at first, such a lens makes perfect sense.
Handling the camera
It is also important that you are good at handling the camera. If you have the opportunity to pick up different cameras in a photo shop, go for it.
When buying online, you should pay particular attention to the reviews. There you will usually find information as to whether a camera is comfortable to hold and whether the controls are arranged sensibly.
Should I buy the camera and lens together?
Many single lens reflex and system cameras have so-called kits available for purchase in which the camera is already delivered with a lens. As a rule, you save a little compared to buying them individually.
Basically, that’s not bad and if you want to get started with photography, you can use such a kit with a clear conscience. But if you already know that you really want to take a lot of photos and have higher demands, we wouldn’t necessarily recommend a kit lens.
In this case, it is best to buy the camera body alone and spend a little more money on a better lens. When faced with the choice of whether to spend more money on the camera itself or the lens, we would always recommend investing more in the lens.
To get started, however, you are really well advised with a kit.
Which camera is best for you?
I hope my list has given you an overview of the best camera for archival work on the market! Maybe you’ve come a little closer to your decision.
A camera is going to open a gateway for you to a new world of imaging. Just pick the best camera for archival work that most suited for you and get going. In case you are stuck or clueless, you can simply go with the Sony Alpha A7 III and be assured of some great imaging capabilities at a great price. A picturesque future awaits you, go ahead and buy your first camera!
You just need to start and get going. The more you try and practice with the camera, the better you shall be!
We hope you enjoyed our camera buying guide. Of course, a camera recommendation is always a bit subjective. That is why we are interested in which camera you prefer to use and why. Leave us a comment, we are very excited!